79 bars of 4/4 at a walking 90 BPM, 3:31 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 3-6, hi-hat through bars 7-24, snare through bars 25-32, hi-hat through bars 33-51, snare through bars 52-57 and hi-hat through bars 58-60, and 1 more change after that.
The beat the song is built on is one bar, played through bars 3-6, 25-32 and 34-36, and 1 more place -- 55.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----x--x--x-x---|
BD |x-x--x---x---x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
79 bars, about 3:31 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 25 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.