86 bars of 4/4 at a walking 100 BPM, 3:26 of playing, on crash, snare, kick and hi-hat foot.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, snare through bars 8-37, silence through bars 38-47 and snare through bars 48-86.
The beat the song is built on is one bar, played through bars 9-16, 49-56 and 70-71, and 1 more place -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x---x-x---x-----|
HF |x-x-x-x-x-x-x-x-|2 fills to learn, played 3 times: bars 74, 75 and 84.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
86 bars, about 3:26 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 26 minutes each.
crash, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
2 fills to learn, played 3 times: bars 74, 75 and 84.