74 bars of 4/4 at a walking 108 BPM, 2:44 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-45 and ride through bars 46-74.
The beat the song is built on is one bar, played through bars 6-11, 21-27 and 37-43 -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x--g----x---|
BD |x-x-------x--x-x|5 fills to learn, played 16 times: bars 44, 45, 49, 54, 55, 56 and 10 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
74 bars, about 2:44 at the written tempo. The course breaks it into 28 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 16 times: bars 44, 45, 49, 54, 55, 56 and 10 more.