151 bars of 4/4 at 143 BPM, about 4:13 of playing, on crash, snare, mid tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 2-25, silence through bars 26-29, snare through bars 30-37, silence through bars 38-41, snare through bars 42-113 and toms through bars 114-115, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 5-7 and 9-11, and 17 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 3
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |X---X---X---X---|X---X---X---X---|
SD |--------X-------|--------X-------|
BD |xx--xxxxxxxx--xx|xxxxxx--xx--xxxx|4 fills to learn, played 5 times: bars 17, 49, 77, 93 and 151.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
151 bars, about 4:13 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 23 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 5 times: bars 17, 49, 77, 93 and 151.