103 bars of 4/4 at 128 BPM, about 3:12 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 3-64, toms through bars 65-66, snare through bars 67-83, kick and crashes through bars 84-85, silence through bars 86-92 and snare through bars 93-95, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 3-5, 8-9 and 11, and 7 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |----------------x---------------|
BD |x-x---x-x---x-x---x-x---x-x---x-|17 fills to learn, played 27 times: bars 6, 10, 28, 29, 34, 38 and 21 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
103 bars, about 3:12 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 28 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 27 times: bars 6, 10, 28, 29, 34, 38 and 21 more.