263 bars of 4/4 at 145 BPM, about 9:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-9, ride through bars 10-17, hi-hat through bars 18-25, toms through bars 26-73, hi-hat through bars 74-77 and snare through bars 78-81, and 16 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 26-32, 34-40 and 42-48, and 3 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 27
1e+a2e+a3e+a4e 1e+a2e+a3e+a4e
CC |x-------------|--------------|
SD |--x---x---x---|x---x---x---x-|
FT |--x-x-x-x-x-x-|x-x-x---x-x-x-|
BD |xxxxxxxxxxxxxx|xxxxxxxxxxxxxx|20 fills to learn, played 47 times: bars 1, 9, 13, 25, 33, 41 and 41 more.
It cuts the song into 73 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
263 bars, about 9:41 at the written tempo. The course breaks it into 73 exercises over 23 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 47 times: bars 1, 9, 13, 25, 33, 41 and 41 more.