84 bars of 4/4 at a walking 78 BPM, 4:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
39 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
silence through bars 1-12, ride through bars 13-22, toms through bars 23-24, ride through bars 25-29, silence through bars 30-32 and ride through bars 33-44, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 25-28, 41-44 and 54-57, and 4 more places -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
41
1e+a2e+a3e+a4e+a
CC |x-------x-------|
RD |--g-g-g---g-g-g-|
SD |----x-------x---|
BD |x-----x-x-----x-|4 fills to learn, played 7 times: bars 23, 24, 40, 62, 63, 66 and 1 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
84 bars, about 4:18 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 23, 24, 40, 62, 63, 66 and 1 more.