119 bars of 4/4 at a walking 96 BPM, 4:58 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-13, hi-hat through bars 14-37, snare through bars 38-51, hi-hat through bars 52-67, snare through bars 68-82 and silence through bars 83-85, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 34-36, 38-39 and 42-43, and 10 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
38
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-x-----|4 fills to learn, played 7 times: bars 37, 40, 41, 67, 89, 110 and 1 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
119 bars, about 4:58 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 37, 40, 41, 67, 89, 110 and 1 more.