106 bars of 4/4 at 133 BPM, about 3:11 of playing, on crash, hi-hat, snare, floor tom and kick.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 2-17, silence through bars 18-25, hi-hat through bars 26-41, toms through bars 42-49, silence through bars 50-57 and kick and crashes through bars 58-73, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 26-40 and 90-106 -- 39.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
27
1e+a2e+a3e+a4e+a
HH |--x---x---x---x-|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
106 bars, about 3:11 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.