70 bars of 3/4 -- not four -- at 87 BPM, 2:25 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
23 out of 100: straightforward, and the one thing to watch is how fine the subdivision is.
toms through bars 1-47, hi-hat through bars 48-56 and toms through bars 57-70.
The beat the song is built on is one bar, played through bars 1-47 -- 67.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1.....2.....3.....
FT |x--x--x--x--x-----|1 fill to learn, played 4 times: bars 62, 63, 64 and 65.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
87 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
23 out of 100: straightforward, and the one thing to watch is how fine the subdivision is. The beat itself is 0 out of 100; the rest of the number is everything around it.
70 bars, about 2:25 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 62, 63, 64 and 65.