176 bars of 4/4 at 120 BPM, about 5:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-88, snare through bars 89-94, toms through bars 95-96, hi-hat through bars 97-119, toms through bars 120-121 and silence through bars 122-124, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 41-47, and 10 more places -- 41.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|20 fills to learn, played 35 times: bars 4, 8, 16, 24, 32, 38 and 29 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
176 bars, about 5:52 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 35 times: bars 4, 8, 16, 24, 32, 38 and 29 more.