121 bars of 4/4 at a walking 86 BPM, 5:38 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-33, hi-hat through bars 34-36, snare through bars 37-39, hi-hat through bars 40-42 and ride through bars 43-45, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 1-33, 37-39 and 49-51, and 4 more places -- 64.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1e+a2e+a3e+a4e+a
SD |--------x-------|
BD |x---------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 3 out of 100; the rest of the number is everything around it.
121 bars, about 5:38 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.