193 bars at 188 BPM -- fast, and 4:57 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-24, hi-hat through bars 25-40, snare through bars 41-64, hi-hat through bars 65-80, snare through bars 81-96 and ride through bars 97-110, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 98-100, 102-104 and 106-108, and 9 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
99
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |xxxxxxxxxxxxxxxx|3 fills to learn, played 7 times: bars 8, 16, 24, 40, 56, 64 and 1 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
188 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 80 out of 100; the rest of the number is everything around it.
193 bars, about 4:57 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 8, 16, 24, 40, 56, 64 and 1 more.