104 bars at 244 BPM -- fast, and 1:41 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
78 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-7, toms through bars 8-11, hi-hat through bars 12-15, snare through bars 16-19, ride through bars 20-29 and snare through bars 30-31, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 32-39 and 88-94 -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32
1e+a2e+a3e+a4e+a
CC |----x-------x---|
HH |o-------o-------|
SD |x-x-x-x-x-x-x-x-|
BD |xxxxxxxxxxxxxxxx|5 fills to learn, played 8 times: bars 43, 46, 47, 51, 61, 65 and 2 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
244 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 72 out of 100; the rest of the number is everything around it.
104 bars, about 1:41 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 43, 46, 47, 51, 61, 65 and 2 more.