169 bars at 180 BPM -- fast, and 3:25 of it without a break -- on hi-hat, snare and kick.
19 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
hi-hat through bars 1-20, silence through bars 21-40, hi-hat through bars 41-72, silence through bars 73-88, hi-hat through bars 89-136 and silence through bars 137-158, and 1 more change after that.
The beat the song is built on is one bar, played through bars 1-15, 17-20 and 41-45, and 5 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2
1e+a2e+a3e+a
HH |x-x-x-x-x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
19 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
169 bars, about 3:25 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 21 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.