101 bars, 5:43, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom and kick and nothing else.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-9, kick and crashes through bars 10-11, snare through bars 12-14, silence through bars 15-17 and hi-hat through bars 18-25, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 20-21, 36-40 and 42-44, and 6 more places -- 36.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
46
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |xx------xx------|7 fills to learn, played 23 times: bars 9, 26, 27, 28, 29, 30 and 17 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
101 bars, about 5:43 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 9, 26, 27, 28, 29, 30 and 17 more.