96 bars of 4/4 at 125 BPM, about 3:04 of playing, on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-3, snare through bars 4-64, silence through bars 65-67 and snare through bars 68-96.
The beat the song is built on is a 2-bar phrase, played through bars 5, 7 and 9, and 19 more places -- 56.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21 22
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
SD |----x-------x---|----x-------x---|
BD |x-----x---x-----|x-x---x---x-xxxx|
HF |----x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|3 fills to learn, played 7 times: bars 12, 20, 42, 44, 56, 90 and 1 more.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
96 bars, about 3:04 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 24 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 12, 20, 42, 44, 56, 90 and 1 more.