184 bars at 240 BPM -- fast, and 3:03 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-22, snare through bars 23-29, hi-hat through bars 30-40, snare through bars 41-55, hi-hat through bars 56-58 and ride through bars 59-60, and 26 more changes after that.
The beat the song is built on is one bar, played through bars 23-29, 41-47 and 49-55, and 2 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
24
1e+a2e+a3e+a4e+a
CC |----x-------x---|
SD |----x-------x---|
BD |x-x-x-x-x-x-x-x-|12 fills to learn, played 50 times: bars 2, 12, 22, 40, 58, 60 and 44 more.
It cuts the song into 45 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
184 bars, about 3:03 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 50 times: bars 2, 12, 22, 40, 58, 60 and 44 more.