111 bars of 4/4 at 130 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 1-5, hi-hat through bars 6-35, ride through bars 36-41, hi-hat through bars 42-44, ride through bars 45-47 and hi-hat through bars 48-50, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 18-20, 30-31 and 33-35, and 8 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
44
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |x-x-----------x-|7 fills to learn, played 15 times: bars 4, 8, 16, 24, 32, 40 and 9 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
111 bars, about 3:25 at the written tempo. The course breaks it into 43 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 4, 8, 16, 24, 32, 40 and 9 more.