98 bars of 4/4 at a walking 85 BPM, 4:37 of playing, on hi-hat, snare, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-6, snare through bars 7-12, hi-hat through bars 13-21, snare through bars 22-27, hi-hat through bars 28-30 and snare through bars 31-33, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 24 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x------x-xx--x-x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
98 bars, about 4:37 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 28 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.