153 bars of 4/4 at 115 BPM, about 5:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-30, ride through bars 31-54, hi-hat through bars 55-69, ride through bars 70-72 and hi-hat through bars 73-78, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 31-35, 37-47 and 49, and 14 more places -- 34.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
32
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |--------x-------|
BD |x-------------x-|6 fills to learn, played 12 times: bars 20, 36, 48, 52, 82, 84 and 6 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
153 bars, about 5:19 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 20, 36, 48, 52, 82, 84 and 6 more.