76 bars of 4/4 at a walking 85 BPM, 3:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-28, ride through bars 29-34, hi-hat through bars 35-54, ride through bars 55-64 and hi-hat through bars 65-76.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 5 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14
1e+a2e+a3e+a4e+a
HH |xgxgxgxgxgxgxgo-|
SD |----x-------x---|
BD |x--x--x---x-----|6 fills to learn, played 11 times: bars 12, 28, 34, 35, 36, 37 and 5 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
76 bars, about 3:35 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 12, 28, 34, 35, 36, 37 and 5 more.