300 bars of 4/4 at 146 BPM, about 8:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-10, kick and crashes through bars 11-16, hi-hat through bars 17-112, snare through bars 113-145, hi-hat through bars 146-177 and silence through bars 178-184, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 33-39, 41-47 and 81-87, and 26 more places -- 36.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
33
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |xxxxxxxxxxxxxxxx|23 fills to learn, played 58 times: bars 14, 16, 24, 32, 40, 48 and 52 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
300 bars, about 8:13 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 58 times: bars 14, 16, 24, 32, 40, 48 and 52 more.