102 bars of 4/4 at a walking 96 BPM, 4:15 of playing, on crash, ride, hi-hat, snare and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-74, silence through bars 75-84 and hi-hat through bars 85-102.
The beat the song is built on is one bar, played through bars 9-16, 33-40 and 58-65, and 1 more place -- 45.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x----x--x---|
BD |x---x---x---x---|4 fills to learn, played 9 times: bars 8, 24, 31, 32, 49, 56 and 3 more.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
102 bars, about 4:15 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 23 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 9 times: bars 8, 24, 31, 32, 49, 56 and 3 more.