102 bars of 4/4 at 120 BPM, about 3:24 of playing, on crash, hi-hat, snare, high tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-31, snare through bars 32-35, hi-hat through bars 36-58, snare through bars 59-68, hi-hat through bars 69-77 and silence through bars 78-82, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 9-15, 25-31 and 36-42, and 3 more places -- 44.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-------|3 fills to learn, played 8 times: bars 8, 16, 24, 34, 35, 51 and 2 more.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
102 bars, about 3:24 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 8 times: bars 8, 16, 24, 34, 35, 51 and 2 more.