236 bars at 180 BPM -- fast, and 5:17 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 2-15, snare through bars 16-32, kick and crashes through bars 33-46, hi-hat through bars 47-54, kick and crashes through bars 55-56 and hi-hat through bars 57-92, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 47-53, 85-91 and 123-129, and 5 more places -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
47
1.......2.......3.......4.......
CC |x-------------------------------|
HH |--------o-------o-------o-------|
SD |--------x---------------x-------|
BD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|10 fills to learn, played 20 times: bars 31, 32, 54, 71, 80, 84 and 14 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
236 bars, about 5:17 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 30 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 31, 32, 54, 71, 80, 84 and 14 more.