116 bars of 4/4 at a walking 80 BPM, 5:48 of playing, on crash, hi-hat, snare, mid tom and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-38, kick and crashes through bars 39-42, hi-hat through bars 43-75, silence through bars 76-83 and hi-hat through bars 84-116.
The beat the song is built on is one bar, played through bars 5-20, 31-32 and 35-36, and 4 more places -- 51.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-x---x-x-x---x-|6 fills to learn, played 12 times: bars 4, 28, 29, 30, 33, 34 and 6 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
116 bars, about 5:48 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 12 times: bars 4, 28, 29, 30, 33, 34 and 6 more.