66 bars of 4/4 at 138 BPM, about 1:53 of playing, on crash, floor tom and kick.
5 out of 100: straightforward, and the one thing to watch is how little of it repeats.
silence through bars 1-4, kick and crashes through bars 5-13, silence through bars 14-16, kick and crashes through bars 17-19, toms through bars 20-47 and silence through bars 48-58, and 1 more change after that.
The beat the song is built on is one bar, played through bars 20-23, 28 and 35-39, and 4 more places -- 43.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
28
1e+a2e+a3e+a4e+a
FT |x-----x-----x-x-|
BD |x-----x-----x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
5 out of 100: straightforward, and the one thing to watch is how little of it repeats. The beat itself is 0 out of 100; the rest of the number is everything around it.
66 bars, about 1:53 at the written tempo. The course breaks it into 9 exercises over 2 sittings, about 28 minutes each.
crash, floor tom and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.