115 bars of 4/4 at 125 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, snare through bars 4-8, hi-hat through bars 9-12, ride through bars 13-19, hi-hat through bars 20-27 and ride through bars 28-35, and 8 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 5-12, 20-27 and 36-43, and 7 more places -- 54.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5 6
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-x-x-x-x---x-x-|x-x-x-x-x-x-x-x-|
SD |----x-------x---|----x-------x---|
BD |x-x---x-x-------|xxxx----x-x---x-|2 fills to learn, played 6 times: bars 35, 51, 79, 90, 93 and 97.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
115 bars, about 3:41 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 22 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 6 times: bars 35, 51, 79, 90, 93 and 97.