111 bars of 4/4 at a walking 85 BPM, 5:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-91, ride through bars 92-97 and hi-hat through bars 98-111.
The beat the song is built on is one bar, played through bars 8-13, 26-28 and 36-37, and 3 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1...........2...........3...........4...........
HH |x-----x--x--x-----x--x--x-----x-----x-----x-----|
SD |------------x-----------------------x-----------|
BD |x--------x--------x--x--------------------------|9 fills to learn, played 13 times: bars 39, 48, 49, 51, 56, 57 and 7 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
111 bars, about 5:11 at the written tempo. The course breaks it into 50 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 39, 48, 49, 51, 56, 57 and 7 more.