136 bars at 157 BPM -- fast, and 3:28 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, kick and crashes through bars 4-5, silence through bars 6-7, kick and crashes through bars 8-9, silence through bars 10-11 and kick and crashes through bars 12-13, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 25 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-----x---x-|14 fills to learn, played 26 times: bars 28, 32, 36, 38, 48, 56 and 20 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
157 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
136 bars, about 3:28 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 26 times: bars 28, 32, 36, 38, 48, 56 and 20 more.