106 bars of 4/4 at a walking 88 BPM, 4:49 of playing, on crash, ride, hi-hat, snare and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-18, snare through bars 19-22, hi-hat through bars 23-32, snare through bars 33-40, hi-hat through bars 41-58 and ride through bars 59-63, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 1-18, 23-32 and 41-57 -- 43.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1.....2.....3.....4.....
HH |x-----x-----x-----x-----|
SD |------x-----------x-----|
BD |x-----------x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
106 bars, about 4:49 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 25 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.