118 bars of 6/4 -- not four -- at 165 BPM, 4:16 of playing on crash, hi-hat, snare, kick and hi-hat foot.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-80 and silence through bars 81-118.
The beat the song is built on is one bar, played through bars 6-12, 14-26 and 28-30, and 5 more places -- 83.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1e+a2e+a3e+a4e+a5e+a6e+a
HH |g-x-g-x-g-x-g-x-g-x-g-x-|
SD |------x-----------x-----|
BD |x---x-x---x-x---x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 7 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
165 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
118 bars, about 4:16 at the written tempo. The course breaks it into 7 exercises over 3 sittings, about 22 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.