102 bars of 4/4 at 124 BPM, about 3:16 of playing, on crash, hi-hat, snare, mid tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-65, kick and crashes through bars 66-67, hi-hat through bars 68-93, silence through bars 94-95 and hi-hat through bars 96-102.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 32 more places -- 38.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
4
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x---x---x---x---|6 fills to learn, played 11 times: bars 1, 34, 42, 49, 50, 62 and 5 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
102 bars, about 3:16 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 11 times: bars 1, 34, 42, 49, 50, 62 and 5 more.