127 bars of 4/4 at 140 BPM, about 3:38 of playing, on crash, hi-hat, snare, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-11, toms through bars 12-14, hi-hat through bars 15-31, kick and crashes through bars 32-39, toms through bars 40-41 and snare through bars 42-44, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 15-31, 45-47 and 49-50, and 5 more places -- 36.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1...........2...........3...........4...........
HH |x-----------x-----------x-----------x-----------|
SD |------------x-------x---------------x-----------|
BD |x-------x---------------x-------x---------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
127 bars, about 3:38 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.