65 bars of 3/4 -- not four -- at 112 BPM, 1:44 of playing on crash, ride, snare, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-6, snare through bars 7-8 and ride through bars 9-65.
The beat the song is built on is one bar, played through bars 9-23, 25-26 and 29-30, and 5 more places -- 66.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
25
1e+a2e+a3e+a
RD |x-x-x-x-x-x-|
SD |------x---x-|
BD |x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 44 out of 100; the rest of the number is everything around it.
65 bars, about 1:44 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 24 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.