201 bars at 170 BPM -- fast, and 4:44 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-3, toms through bars 4-10, ride through bars 11-19, toms through bars 20-26, ride through bars 27-42 and hi-hat through bars 43-58, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 59-61, and 5 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
99
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |--x---x---x---x-|
BD |xx--x---xx--x---|7 fills to learn, played 24 times: bars 18, 20, 21, 22, 23, 24 and 18 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
201 bars, about 4:44 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 24 times: bars 18, 20, 21, 22, 23, 24 and 18 more.