251 bars at 172 BPM -- fast, and 5:50 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-3, toms through bars 4-8, ride through bars 9-46, hi-hat through bars 47-79, ride through bars 80-124 and hi-hat through bars 125-172, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 125-131, 133-139 and 141-147, and 2 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
125
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x--x-x--x--x-x--|15 fills to learn, played 24 times: bars 2, 4, 16, 24, 27, 31 and 18 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
172 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
251 bars, about 5:50 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 24 times: bars 2, 4, 16, 24, 27, 31 and 18 more.