144 bars at 180 BPM -- fast, and 3:12 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-11, hi-hat through bars 12-25, kick and crashes through bars 26-29, snare through bars 30-49, kick and crashes through bars 50-51 and silence through bars 52-53, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 35, 38 and 40, and 22 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38
1e+a2e+a3e+a4e+a
SD |--------x-------|
BD |x---x-------x---|
HF |x---x---x---x---|2 fills to learn, played 3 times: bars 25, 67 and 113.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
144 bars, about 3:12 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 25, 67 and 113.