212 bars of 4/4 at a walking 77 BPM, 10:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-8, hi-hat through bars 9-19, kick and crashes through bars 20-21, ride through bars 22-33, hi-hat through bars 34-57 and ride through bars 58-73, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 34, 36-38 and 40-42, and 10 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------o-----o-----o-----o-----o-----o-----o-----|
SD |------x-----------x-----------x-----------x-----|
BD |x-----------x-----------x-----------x-----------|24 fills to learn, played 54 times: bars 4, 8, 20, 21, 24, 25 and 48 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
212 bars, about 10:48 at the written tempo. The course breaks it into 72 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 54 times: bars 4, 8, 20, 21, 24, 25 and 48 more.