124 bars of 4/4 at 115 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare and hi-hat foot.
28 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
silence through bars 1-16, hi-hat through bars 17-32, ride through bars 33-44, hi-hat through bars 45-52, kick and crashes through bars 53-54 and hi-hat through bars 55-62, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 17-23, 45-51 and 75-81, and 1 more place -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|2 fills to learn, played 14 times: bars 24, 28, 32, 40, 44, 52 and 8 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
28 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 1 out of 100; the rest of the number is everything around it.
124 bars, about 4:18 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 22 minutes each.
crash, ride, hi-hat, snare and hi-hat foot. Nothing in the part asks for anything else.
2 fills to learn, played 14 times: bars 24, 28, 32, 40, 44, 52 and 8 more.