94 bars of 4/4 at 116 BPM, about 3:14 of playing, on crash, hi-hat, snare, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-2, hi-hat through bars 3-38, snare through bars 39-49, hi-hat through bars 50-92 and snare through bars 93-94.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 7 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4
1e+a2e+a3e+a4e+a
CC |------------x---|
HH |x-x-x-x-x-x---x-|
SD |----x-------x---|
BD |x-----x-x-------|7 fills to learn, played 9 times: bars 2, 49, 53, 57, 58, 76 and 3 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
94 bars, about 3:14 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
7 fills to learn, played 9 times: bars 2, 49, 53, 57, 58, 76 and 3 more.