96 bars of 4/4 at a walking 96 BPM, 3:58 of playing, on crash, hi-hat, snare, mid tom and floor tom.
54 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
hi-hat through bars 2-96.
The beat the song is built on is one bar, played through bars 20, 22 and 27-29, and 5 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22
1...............2...............3...............4...............
HH |x-----------------------x-------x-----------------------x-------|
SD |r---------------r-------r-------r---------------r-------r-------|
FT |x-------------------------------x-------------------------------|3 fills to learn, played 10 times: bars 17, 18, 19, 36, 37, 92 and 4 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 24 out of 100; the rest of the number is everything around it.
96 bars, about 3:58 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and floor tom. Nothing in the part asks for anything else.
3 fills to learn, played 10 times: bars 17, 18, 19, 36, 37, 92 and 4 more.