121 bars of 4/4 at a walking 100 BPM, 4:50 of playing, on crash, hi-hat, snare and kick.
61 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
hi-hat through bars 1-25, silence through bars 26-32 and hi-hat through bars 33-121.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 51 more places -- 47% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
HH |xxxx-xxxxxxx-x-x|
SD |----x-------x-x-|
BD |xx----xx-xx-----|2 fills to learn, played 3 times: bars 32, 115 and 119.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 53 out of 100; the rest of the number is everything around it.
121 bars, about 4:50 at the written tempo. The course breaks it into 9 exercises over 4 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 3 times: bars 32, 115 and 119.