108 bars of 4/4 at 110 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, snare through bars 8-17, hi-hat through bars 18-27, snare through bars 28-29, hi-hat through bars 30-31 and snare through bars 32-34, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 5, 7 and 18, and 12 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
35
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
108 bars, about 3:56 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.