178 bars at 190 BPM -- fast, and 3:45 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-16, snare through bars 17-40, hi-hat through bars 41-56, snare through bars 57-88, hi-hat through bars 89-122 and snare through bars 123-178.
The beat the song is built on is one bar, played through bars 17-23, 25-31 and 57-63, and 9 more places -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |--xxx-x-xxx-x-xx|14 fills to learn, played 17 times: bars 24, 32, 40, 56, 72, 80 and 11 more.
It cuts the song into 45 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
178 bars, about 3:45 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 17 times: bars 24, 32, 40, 56, 72, 80 and 11 more.