96 bars of 4/4 at a walking 100 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-42, snare through bars 43-44, ride through bars 45-58, hi-hat through bars 59-78 and snare through bars 79-80, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 7-14, 23-25 and 27-34, and 2 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 8
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-o-x-x-x-o-|x-x-x-o-x-x-x--o|
SD |----x-------x---|----x-------x-xx|
BD |x-x-----x-x-----|x-x-----x-x-----|1 fill to learn, played 5 times: bars 1, 2, 3, 4 and 5.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
96 bars, about 3:49 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 5 times: bars 1, 2, 3, 4 and 5.