218 bars of 4/4 at 146 BPM, about 5:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 2-12, silence through bars 13-17, hi-hat through bars 18-26, toms through bars 27-41, hi-hat through bars 42-60 and snare through bars 61-72, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 55, 58-72 and 79-80, and 9 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
61
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-----------|13 fills to learn, played 34 times: bars 57, 73, 81, 88, 89, 97 and 28 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 12 out of 100; the rest of the number is everything around it.
218 bars, about 5:58 at the written tempo. The course breaks it into 56 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 34 times: bars 57, 73, 81, 88, 89, 97 and 28 more.