149 bars of 4/4 at 125 BPM, about 4:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-6, toms through bars 7-8, ride through bars 9-10, hi-hat through bars 11-20, toms through bars 21-25 and hi-hat through bars 26-36, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 11-15 -- 3.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12
1.......2.......3.......4.......
HH |----x-------x-------x-----------|
SD |--x---x-x-----x---x---x-x---x-x-|
FT |--------------------------x-----|
BD |x---------x-----x---------x-----|12 fills to learn, played 47 times: bars 6, 7, 8, 21, 22, 23 and 41 more.
It cuts the song into 63 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
149 bars, about 4:45 at the written tempo. The course breaks it into 63 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 47 times: bars 6, 7, 8, 21, 22, 23 and 41 more.