143 bars of 4/4 at 142 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-24, ride through bars 25-32, hi-hat through bars 33-64, ride through bars 65-66 and snare through bars 67-68, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 10, 14 and 18, and 17 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a4e+a
CC |----------x---x-|
HH |o-o-o-o-o---o---|
SD |--x---x---x---x-|
BD |x--x-x--xx--xx--|16 fills to learn, played 38 times: bars 12, 16, 20, 24, 28, 31 and 32 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
143 bars, about 4:02 at the written tempo. The course breaks it into 48 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 38 times: bars 12, 16, 20, 24, 28, 31 and 32 more.